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Initial eight harmonics on C, namely (C,C,G,C,E,G,B ♭,C) Major open-tunings give a with the open strings.Open A E-A-C ♯-E-A-E. Alternatively: E-A-C ♯-E-A-C ♯. Alternatively: A-E-A-E-A-C ♯ (one step down from 'Open B'). Open A: E-A-E-A-C ♯-E (identical to 'Open G' tuning but with every string raised one step or two frets) Used by on ' and on 'Open B B-F ♯-B-F ♯-B-D ♯. Alternatively: F ♯-B-D ♯-F ♯-B-D ♯Used by on 'Should've Listened', in recent years, and on '.Open C This open C tuning is used by for his 'Townsend Shuffle' and by for to. This tuning is also commonly used by John Butler on his 12 string guitar.
This tuning is used on most work by in his solo work as well as his work with. When playing on a 7 string guitar, he would have a low G as the lowest string to complete the fifth.The used a open-C tuning that approximated a.This open-C tuning gives the initial when a C-string is struck.The C-C-G-C-E-G tuning uses the (overtones) of the note C.
When an open-note C-string is struck, its begins with the notes (C,C,G,C,E,G,B♭,C).This overtone-series tuning was modified by, who used a high C rather than the high G for ' on. Ralphs said, 'It needs the open C to have that ring,' and 'it never really sounds right in standard tuning'. Open D tuning (listen) D-A-D-F ♯-A-DOpen-D tuning is used by for her ', for 'Place To Be', for 'Interlude 2', for 'Thunder' and by for 'No More Home, No More Love'.Open-D tuning has been called Vestapol tuning.used Open D tuning to be able to play chords using only his thumb and one or two fingers. Alternatively: D-A-D'-A'-D -DThis alternative Open D tuning (and its downtuned variations) is frequently used by guitarist for the bands, and Tremonti. It was also used by on ' and the in '.
C ♯-G ♯-C ♯-F-G ♯-C ♯Same as Open-D but tuned a half-step down. Used by on the songs ', ', and 'Shame in You'.Open E E-B-E-G#-B-E ( use light gauge strings because three strings must be raised) Open E is used by: on ', '; on ', ', ', ', ', ' and by Bob Dylan on his 1975 album. By on their first and second albums, and by on recordings and Used by Johnny Marr of the Smiths on '. Open F F-A-C-F-C-F (requires light gauge strings). Alternatively (without light gauge strings): C-F-C-F-A-CC-F-C-F-A-C is the more common of the two.Used byElizabeth Cotten on her song 'When I Get Home' Led Zeppelin on 'When the Levee Breaks' and 'Bron-Yr-Aur Stomp' (studio). F-Sharp Tuning: F ♯-B ♭-C ♯-F ♯-C ♯-F ♯.
Alternative: C ♯-F ♯-C ♯-F ♯-A ♭-C ♯F-F-C-F-A-C is also used by Dave Mason on 'Only You Know and I Know'Open G. The Russian guitar's tuning approximates a major-thirds tuning. D-G-D-G-B-D (also known as Spanish Tuning or Chicago Tuning)Open G was used in rock by of in the songs ', ' and ', of as well as in Mississippi blues by, and, and in '. G-G-D-G-B-DListing the initial six of the G note, this open-G tuning was used by for 'Electricity', 'For the Roses', and 'Hunter (The Good Samaritan)'. It was also used by for 'Hey Hey' on 's.and on the Meowtain song 'Alleyway' also used this tuning in the song ' by.
Alternatively: G-B-D-G-B-D ( ). Alternatively: C-G-D-G-B-D (used by on multiple songs, most notably 'Inhale' and 'Mistake'. They downtune it a half step). Open G: G-B-D-G-B-D (occasionally adopted for ordinary guitar, but requires lighter fifth and sixth strings).
Zz Top Just Got Paid Ringtone
Russian-guitar Open G: The tuning of theD-G-B-D-G-B-D is an open G tuning, approximately in. Minor: Cross-note The following open-tunings use a minor third, and give a with open strings. To avoid the relatively cumbersome designation 'open D minor', 'open C minor', such tunings are sometimes called 'cross-note tunings'. D modal tuning.In modal tunings, the strings are tuned to form a chord which is not definitively minor or major. These tunings may facilitate very easy chords and unique sounds when the open strings are used as drones.
Often these tunings form a on the open strings. See also:Major-thirds tuning is a regular tuning in which the between successive strings are each.
Unlike all-fourths and all-fifths tuning, major-thirds tuning repeats its octave after three strings, which again simplifies the learning of chords and improvisation.Neighboring the standard tuning is the major-thirds tuning that has the open stringsE-G ♯-C-e-g ♯-c'.A lower major-thirds tuning has the open stringsC-E-G ♯-c-e-g ♯,which 'contains two octaves of a C augmented chord'. All fourths. Drop D tuning (listen) - D-A-d-G-B-EStandard tuning but with the 6th string dropped one full step. Drop C tuning (listen) - C-G-c-F-A-DOne full step down from Drop D. Utilized by bands like, in all their albums, in the Heliocentric / Anthropocentric albums, (Only on ), on the song 'Radiant Eclipse', on, (on some songs), (since the era), (since ), (in their album ), (mostly on & ), on, on majority of among others, since, (when using 6 string guitars), (on their demo ), (since ), on their Bleach album, on the songs Anesthetize and Cheating the Polygraph, (on “Summer Club” and “Let It Burn”).
B-F ♯-b-E-G ♯-C ♯ / B-G ♭-b-E-A ♭-D ♭One and one half steps down from Drop D. This tuning is most often used by modern rock and heavy metal bands. Utilized by bands like, (on 'Cast Down', 'Seven Faces' and 'Payback' from, as well as few songs on, and ), (tuned 40 cents sharp), on their third and fourth albums, and respectively, (on 'Faceless'), (on much of ), (up until ), (on a few songs from ), (On some songs from, on their album, (on much of and, and the songs 'Coming Home' and 'Home' from and, respectively), on much of on the song ', Disturbed on some songs starting from and occasionally, and. Drop A ♯/Drop B ♭ - A ♯-F-a ♯-D ♯-G-C / B ♭-F-b ♭-E ♭-G-CTwo full steps down from Drop D. Utilized by bands such as, Hostility, (since ), (On some songs), (On some songs), (On the Songs 'Afterall, Burnout, and Body Bag), on select songs from the album ', (since ), (since ), and (Before switching to 7 stringed guitars), Remembering Never, on the song ' from, occasionally, and.
A-E-a-D-F ♯-B / A-E-a-D-G ♭-BTwo and one half steps down from Drop D. This tuning is most often used by or musicians, such as or (both use and tune down the seventh string a full step). Utilized by bands like, (on the songs 'Columind' and 'The Missing' from and 'Drug Boy' and 'The Trouble with Angels' from ), (On ), on some songs, (on ) and occasionally, and., on the songs 'Out of Control' and 'This Is What I Know About Sacrifice', and on some songs from. Uses this tuning on their songs 'Hollow Man' and 'Waiting'. Drop A in standard variation - A-a-D-G-B-E:The 6th string is dropped to A while the other strings retain their standard tuning. Used by on 'Biscuits for Smut', on ', on the song 'Sorceress', and the on 'Boris'. A 7-string version of this tuning is used by on their song 'Citizen Erased, tuned A-a-D-d-G-B-E.
Drop A in D standard variation - A-G-C-F-a-D: Used by Mastodon on most of their first album ( Remission) and on some songs on other albums. Also utilized. Also used on occasion by, who previously tuned it a half-step up, which also utilizes on some of their songs such as ', 'Come to Life', 'I Know it Hurts', 'Still Remains', 'Breath Again', and 'All Hope is Gone.'
, and Sevendust all use this tuning tuned a half-step down on their songs 'Bread of Shame', 'Early Grave', and 'Home' and 'Chop' respectively, with the latter also tuning down a full step for the songs ' and 'Not Today'. Danish industrial metal band used this tuning tuned one and a half-step down (F#-E-A-D-f#-B) on the song 'Dim the Lights and Run' from the album. Also utilize this tuning one whole step down for songs like 'The River' and 'Spineless' off their album. Drop G ♯/Drop A ♭ - G ♯-D ♯-g ♯-C ♯-F-A ♯ / A ♭-E ♭-a ♭-D ♭-F-B ♭Three full steps down from Drop D. Utilized by (on some songs), in the song 'Invisible Kid' from, on their, (on some songs),. Also uses this tuning (but with the 2nd string tuned up 1/2 step to emulate a 7-string guitar), as well as several other modified variations of this, such as one in which the 5th string is also dropped from D# to C#. Drop G - G-D-g-C-E-AThree and one half steps down from Drop D.
Used by on the song 'Wasteland', (on their first two EPs), on the song 'Blood Lines', on a few songs from their album, (on some songs) and (on the song 'Transparent' from ). Also and recorded Sandblasted Skin in G-g-C-F-A-D, Drop G variation with D standard.
Used this tuning on 'Eye for an Eye' on their, although live performances of this song were in Drop D, and now in Drop B. Drop F ♯/Drop G ♭ - F ♯-C ♯-f ♯-B-D ♯-G ♯ / G ♭-D ♭-g ♭-B-E ♭-A ♭Four full steps down from Drop D, or two full steps up from Drop D1.
Used by Disfiguring the Goddess. In the recording of 's song 'Nookie', used a custom 4 string baritone guitar tuned F#-F#-B-E. Also recorded their song 'Scissors' from their debut album in F#-F#-B-E-G#-C#.
Drop F - F-C-f-A ♯-D-G / F-C-f-B ♭-D-GFour and one half steps down from Drop D, or one and a half steps up from Drop D1. Used by on 'The Wretched' off 'This Means War'.
Drop E - E-B-e-A-C ♯-F ♯ / E-B-e-A-D ♭-G ♭/Five full steps down from Drop D, or one full step up from Drop D1. Another Variation can be mixed with a Drop A as follows: E-A-e-a-D-G-B-e modeled on an 8 string or E-A-e-a-D-F#-B/E-A-e-a-D-Gb-Cb on a 7 string.
Drop D ♯/Drop E ♭ - D ♯-A ♯-d ♯-G ♯-C-F / E ♭-B ♭-e ♭-A ♭-C-FFive and one half steps down from Drop D, or one half step up from Drop D1. This can also be a Drop D# standard octave variant tuning modeled on an 8 string D#-G#-d#-g#-C#-F#-A#-d#.
Just Got Paid Chords
Drop D1 - D-A-d-G-B-ESix full steps (one octave) down from Drop D. 8 string example; D-A-d-a-d-G-B-E. Black Tongue uses this tuning. Drop C ♯1/Drop D ♭1Six full steps (one octave) down from Drop C ♯/Drop D ♭. Used on some After The Burial songs.
Drop C1Six full steps (one octave) down from Drop C. Used by on the album with the variation C-F-c-f-A#-D-G. Drop C ♯/Drop D ♭ in standard variation - C ♯-A-D-G-B-EStandard tuning but with the 6th string lowered one and a half steps. Used by tuned one and one half-step down on some songs from ' through ', though their version of the tuning also features the A string dropped another half-step. Therefore, A#-F-B-E-G#-C#.
Drop C in standard variation - C-A-D-G-B-EStandard tuning but with the 6th string lowered two whole steps. Used by on the song 'My Champion' (tuned down a half-step) as well as on the song 'Mountain' (tuned down one and a half steps). Also used by on the song “Neon”, and by of on some songs such as ' and 'Hearts/Wires', tuned down a full step. Drop B in standard variation - B-A-D-G-b-EClaimed to have been invented by guitarist Victor Griffin of (who tunes it 1/2 step down). Also used in the song ' by, ' 'Holy Water', and 'Searching With My Good Eye Closed' by on their album, 'Cowboy Hat' and some of ' by, 'Gasoline', 'Shadow on the Sun', 'Bring Em Back Alive' and 'The Worm' by and '. Have used it on every album since, use it on most of their album, and used this on much of their early material, often to emulate a 7-string guitar.
Used also by in the songs 'One Way Mule' and 'The Lever' from their album '. Drop B-E - B-E-D-G-b-eStandard tuning with the 6th and 5th string lowered two and a half steps down.
Used by in the song '.Shifted These tunings are derived by systematic increases or decreases to standard tuning.Lowered (Standard). D tuning.Derived from standard EADGBE, all the strings are tuned lower by the same interval, thus providing the same chord positions transposed to a lower key.
Lower tunings are popular among rock and heavy metal bands. The reason for tuning down below standard pitch is usually either to accommodate a singer's vocal range or to get a deeper/heavier sound. E ♭-A ♭-D ♭-F ♯-B ♭-E ♭Half a step down from standard tuning. Used by bands/artists such as:, (Chris Barnes era), (early songs), (on a few songs), (on the 'Load', 'Reload' and 'Garage Inc.' Albums, 'The God That Failed' and in live performances of standard tuned songs since 1995), (some songs and in live performances of standard tuned songs since 2008), (on '), on 'Not Alone', on their cover of ', (on 'I Can Feel It'), (since ') (on 'A Little More'), and, (on “History” and “Inhibitions”).
D-G-C-F-A-DOne full step down from standard tuning. Used by bands/artists such as, on,. Used in a vast majority of songs by musician, and also in some songs.
Also used in 's songs ', ' and ', in their songs ', 'Devil's Dance', their cover of 'Whiskey in the Jar', as well some of their covers on ('The Small Hours' and 'Crash Course in Brain Surgery'),'Dream No More', 'The Thing That Should Not Be' and in live performances of 'The God That Failed' and 'Seek and Destroy', on several songs on, in ', in live performances and. C ♯/ - C ♯-F ♯-B-E-G ♯-C ♯ / D ♭-G ♭-B-E-A ♭-D ♭One and a half steps down. Famously used by 's Tony Iommi in the 1970s, as well as, of, of, (tuned 40 cents sharp), of (on ), of and, (on 'Jumpin' Jack Flash' and 'I Don't Care About You'), (on 'Gemini' from, the majority of as well as 'Cult' and 'Black Serenade' from ), and, as well as former guitarist 's other band on the song '.
Also used by on the and on the songs 'Isolation', 'Big Bikes' and 'Stage III' from. Used by on the song ' from the album and live performances of ' since 1987, by on covers of ' and 'I Don't Care About You' and by in 'Obvious'. Also used on and by Canadian technical death metal band. C-F-B ♭-E ♭-G-C / C-F-A ♯-D ♯-G-CTwo full steps down from normal tuning. Used by bands such as, (until ), (on ), (since the era), and. B-E-A-D-G ♭-B / B-E-A-D-F ♯-BTwo and a half steps down from standard tuning.
Used in by bands such as, and (during the era), as well as (first two albums before switched to 7-string guitars), and guitarist of and. A ♯/ - A ♯-D ♯-G ♯-C ♯-F-A ♯ / B ♭-E ♭-A ♭-D ♭-F-B ♭Three full steps from standard tuning. Used by, (on some songs), and, (on several songs starting with their album ), Father Befouled, Sepultura, of (on 'War Zone' and 'Here Comes the Pain' from and 'Not Of This God' from. Kerry King used a 7-string for those songs), ( started using the tuning during the recording of the Helium Head EP to fill in the low end of the sound, in an attempt to make up for their lack of a bassist at the time), (on 'This Means War' and 'Gotta Get Me Some' from ) and (when band switched to 7 strings). A tuning - A-D-G-C-E-AThree and a half steps down from standard tuning.
Used by, (on album), on a few songs and on live performances of A ♯ tuned songs and their cover of 'Symphony Of Destruction'. G ♯/A ♭ tuning - G ♯-C ♯-F ♯-B-D ♯-G ♯ / A ♭-D ♭-G ♭-B-E ♭-A ♭Four full steps down from standard tuning.
Utilized by on some songs. Used by death/doom metal band Encoffination. G tuning - G-C-F-A ♯-D-G / G-C-F-B ♭-D-GFour and a half steps down from standard tuning. Used by the Doom Metal band and the Brutal Death Metal band.
F ♯/G ♭ tuning - F ♯-B-E-A-C ♯-F ♯ / G ♭-B-E-A-D ♭-G ♭Five full steps from standard tuning. Used by the Death Metal band Disfiguring The Goddess. F tuning - F-A ♯-D ♯-G ♯-C-F / F-B ♭-E ♭-A ♭-C-FFive and one half steps down from standard tuning. Used by the deathgrind band, the instrumental doom metal band, and the progressive metal band ' (however the band uses eight-stringed guitars). Octave Tuning - E-A-D-G-B-ESix full steps (one octave) down from standard tuning.
The Low E has the same fundamental frequency as a bass guitar, essentially the same standard tuning as a bass guitar but with a high B and E added to mimic a regular guitar. This tuning is used on the and similar instruments.
Notably used by with, of and of. In his early days with, future bassist was also seen with a Fender Bass VI. This is the tuning used on their seminal drone doom album,. Also used in some and bands such as.Raised.From standard EADGBE, all the strings are tuned up by the same interval. String tension will be higher. Typically requires thinner gauge strings, particularly the first string which could be as thin as six thousandths of an inch (about the thickness of a single human hair).
A is typically preferred over these tunings, as they do not increase neck strain, etc. The advantage of these tunings is that they allow an extended upper note range versus a capo used with standard tuning which limits the number of notes that can be played; in some cases, instruo B ♭ or E ♭ (such as, which were frequently encountered in early rock and roll music) are more easily played when the accompanying guitar plays chords in the higher tuning. If standard gauge strings are used, the result is often a 'brighter' or 'tighter' sound; this was a common practice for some bluegrass bands in the 1950s, notably Flatt & Scruggs. F tuning - F-A ♯-D ♯-G ♯-C-F / F-B ♭-E ♭-A ♭-C-FHalf a step up from standard tuning. Used in most of 's music, for 'Love Buzz' on Nirvana's Bleach album - apparently by mistake (according to Come As You Are - Michael Azerrad), on ' (a capo was probably used), 's ' (The low E string was tuned to Eb/D# for a drop Eb/D# tuning), on their song ', on his first 3 albums, on, John Fedowitz in his solo project 'Ceremony', and on '. F ♯/G ♭ tuning - F ♯-B-E-A-C ♯-F ♯ / G ♭-B-E-A-D ♭-G ♭One full step up from standard.
Primary tuning for the band. Also used this tuning extensively with; bassist remained in standard, however, even when Marr was playing in F#. British singer-songwriter also plays in F#. G tuning also known as (sometimes spelled 'Tierce', 'Third', or 'Tertz', all of which are acceptable) - G-C-F-A ♯-D-G / G-C-F-B ♭-D-GOne and one half steps up from standard. G ♯/A ♭ tuning - G ♯-C ♯-F ♯-B-D ♯-G ♯ / A ♭-D ♭-G ♭-B-E ♭-A ♭Two full steps up from standard. A tuning - A-D-G-C-E-ATwo and one half steps up from standard.
This is the standard tuning for the travel guitar. A ♯/B ♭ - A ♯-D ♯-G ♯-C ♯-F-A ♯ / B ♭-E ♭-A ♭-D ♭-F-B ♭Three full steps up from standard.Double-dropped. Double drop D tuning (listen)Similar to the dropped tunings, except that both the 1st and 6th strings are dropped one full step.
Double Drop D - D-A-D-G-B-DStandard tuning but with the 1st and 6th strings dropped one full step. Favored by Neil Young.
Has also been used by Lamb of God on some of their earlier songs. Double Drop C ♯/Drop D ♭ - C ♯-G ♯-C ♯-F ♯-A ♯-C ♯ / D ♭-A ♭-D ♭-G ♭-B ♭-D ♭/Same as Double Drop D, but every string is dropped one half step. Used by the acoustic rock band. Also used by on the song ', as well as Los Angeles based Alternative band Failure, for the track 'Sergeant Politeness'. Double Drop C - C-G-C-F-A-COne full step down from Drop D. Used by on the song 'Seasons'. Double Drop B - B-F ♯-B-E-G ♯-B / B-G ♭-B-E-A ♭-B/One and one half steps down from Drop D.
DADGAD tuning (listen) D-A-d-g-a-d'DADGAD was developed by Davey Graham in the early 1960s when he was travelling in Morocco, to more easily play along with Oud music Among the first to use this tuning were the folk-blues guitarists of the '60s like Bert Jansch, John Rebourn, Martin Carthy, and John Martyn. It was many years later in the 1970s that it became established for accompanists of traditional music, predominantly Scottish and Irish. Due to this popularity it is sometimes referred to as 'Celtic' tuning, although this is misleading given its origin and its primary early use in a quite different field of music. Often vocalized as 'Dad-Gad', it is now common in. In rock music, has been used in 's '.
Is another noted exponent of this tuning. The group also employ this tuning, and also plays it in the form of all the notes becoming a half-step down: D ♭-A ♭-d ♭-g ♭-a ♭-d ♭'. Three down-tuned variations are used by the band: A Drop C variation, or C-G-c-f-g-c'. (used on the song '), a Drop B variation, or B'-F ♯-B-e-f ♯-b, and a Drop A# variation, or A ♯'-F-A ♯-d ♯-f-a ♯.
Neighboring tunings D-A-d-e-a-e' and C-G-c-d-g-a have been used. Also D-A-d-a-a-d', was used by on the 's 1983 '.Dad-Dad. See also:The open strings of a guitar can be tuned to microtonal intervals, however microtonal scales cannot easily be played on a conventional guitar because the frets only allow for a chromatic scale of twelve equally spaced pitches, each a semitone apart. (Certain microtonal scales, particularly, can be played on a standard guitar solely by adjusting tunings, but the distance between notes on the scale makes it somewhat impractical.) It is possible to play microtonal scales on a, to convert a fretted guitar into a fretless, or to make a custom neck with a specific microtonal fret spacing.Guitars can also be refretted to a microtonal scale. On many refretted microtonal guitars, the frets are split, so that the tuning of each string is independent from the others.
To enable an adjustable microtonal tuning, there exist guitars with frets that can be moved across the fingerboard.Extended techniques such as the technique, slide guitar and techniques can be used to produce microtonality without severe modification to the instrument.Guitar tunings inspired by other Instruments In his on-line guide to alternative tunings for six-string guitars, mentions several that are inspired by instruments other than guitars, for example, (E-A-D-E-E-A), C-G-C-G-C-G, and G-B-D-G-B-D.Extended range and other guitar tunings. This section needs additional citations for. Unsourced material may be challenged and removed.Find sources: – ( July 2012) Five-string Five string guitars are common in Brazil, where they are known as and are typically tuned in 5ths. Schecter Guitar Research produced a production model 5 string guitar called the Celloblaster in 1998. A five-string tuning may be necessary in a pinch when a string breaks on a standard six-string (usually the high E) and no replacement is immediately available.Some basic five-string tunings include:.
Standard - E-A-d-g-bThe standard tuning, without the top E string attached. Alternative variants are easy from this tuning, but because several chords inherently omit the lowest string, it may leave some chords relatively thin or incomplete with the top string missing (the D chord, for instance, must be fretted 5-4-3-2-3 to include F#, the tone a major third above D). High C - E-A-d-g-c'Standard tuning with the B tuned a half step higher to C to emulate a 6 string bass guitar, minus the low B.
This is an. Celloblaster or Guitello - C-G-d-a-e'An as used on or, extended to five strings. Used by the noise-rock band, and by Jeffrey McFarland-Johnson on his Bach Cello Suites album. Baritone - E-A-d-f ♯-bIn this tuning, the fourth (G) string is lowered a half-step, thus recreating the intervals between the top five strings, lowered a perfect fourth. Though chords can easily and more fully be played from this tuning, it sometimes results in awkward, a relatively minor problem if the five-string is played in an ensemble with a bass guitar.
E-A-c ♯-f ♯-bSimulates the top four strings, followed by the second-from-bottom string on top, raised a whole step (the F ♯ representing both the top and bottom E). It makes playing in the key of A major easier, though chord fingerings have to be altered unless the strings are rearranged to F ♯-B-E-A-C ♯. Open G tuning - G-d-g-b-d'Some slide/bottleneck guitarists omit the bottom E string when playing in open G to have the root note as the tonic. This tuning is used by. Open E ♭5 tuning - E ♭-B ♭-e ♭-b ♭-e ♭'This is achieved by removing the fourth (G) string, tuning both Es and the B down a half step, and the A and D strings up a half-step. This creates a five-string.Seven-string Similar to five-string bass guitar tuning, seven-string tuning allows for the extra string a fourth lower than the original sixth string. This allows for the note range of B standard tuning without transposing E standard guitar chords down two and a half steps down.
Baritone 7-string guitars are available which features a longer scale-length allowing it to be tuned to a lower range. Standard Tuning - B'-E-A-d-g-b-e'This is Standard seven-string tuning. Used by, on the song 'Burn It To The Ground', on much of, on some songs, and on some songs. Drop A 7-String Tuning - A'-E-A-d-g-b-e'This is the Standard seven-string tuning with low B dropped to A. Standard Choro Tuning - C-E-A-d-g-b-e'Standard seven-string tuning for Brazilian. Drop D 7-String Tuning - B'-D-A-d-g-b-e'Standard seven-string tuning with the low E dropped to D, which results in a minor 3rd interval between the two lowest strings of B and D. Used by Ed Sloan of.
Also used by on the song 'CAFO'. A flat variation of this tuning is used by on the song “Racecar”. Drop D & A 7-String Tuning - A'-D-A-d-g-b-e'Standard seven-string tuning with a Dropped D and A from E and B. Used extensively by since the album ' as well as the song 'Obscure' from the album Vulgar. Also used by. Thirds Tuning - E-G ♯-c-e-g ♯-c'-e'Same range as standard six-string. Allows over two full chromatic octaves without changing position, slides or bends.
All Fourths Tuning - B'-E-A-d-g-c'-f'Expands the major third between the second and third strings, extending range a half step higher. Russian Tuning - D-G-B-D-g-b-d6-string Open G tuning with additional 5th B-string. This section possibly contains. Please by the claims made and adding. Statements consisting only of original research should be removed. ( March 2012) On and, the most common tunings are the extended-chord and, sometimes known as the Texas and Nashville tunings respectively.
On a multiple-neck instrument, the near neck will normally be some form of C6, and the next closest neck E9.Necks with 12 or more strings can be used with universal tunings which combine the features of C6 and E9. On a 12 string pedal steel guitar, all 12 strings are tuned and played individually, not as 6 double courses as on the.On there is often only one six-string neck. C6 tuning is popular for these instruments, as are open G, E6, and.Renaissance lute.
This composition for Bass Guitar Tab includes 4 page(s). It is performed by ZZ Top. The style of the score is 'Pop'.
Catalog SKU number of the notation is 88651. This score was originally published in the key of E. Authors/composers of this song: Words and Music by Billy F Gibbons and Bill Ham.
This score was first released on Thursday 1st January, 1970 and was last updated on Thursday 1st January, 1970. The arrangement code for the composition is. Minimum required purchase quantity for these notes is 1. Please check if transposition is possible before your complete your purchase.Transpose / Free sheet music.